There are four gnarly oscillators, each of which can output triangle, sawtooth and variable pulse waves. What we should say, though, is that the Legacy version of the synth remains true to the hardware's architecture in every important way. Thankfully, the software Mono/Poly offers clever ways to circumvent the problems associated with the original and even turns them into assets. This was a dicey proposition at best, though a powerful one for those with the patience for it. Only the bravest of users could get much use out of the hardware version in its polysynth guise, since each oscillator had to be adjusted separately. This was because it had something of a split personality: the synth could be used as a four-voice polyphonic instrument or, by ganging all of the oscillators together, as a monophonic synthesizer that was capable of producing supremely thick and ballsy tones. Released in 1981, the Mono/Poly was always an odd duck.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |